During the course of writing novels, I come to places in my stories where I need to share information with readers, adding historical background, context, character development, plotting details, and clues. The problem, I feel, is that the information should be revealed gradually, and it must also move the story along and help my readers solve the mystery before them. The caveat is that these new facts can’t be delivered in the form of an information dump, which might have odd sounding dialogue or appear as an unnatural topic of conversation. As an example, all too often, when I’m watching a detective movie, I’ll see a protagonist and his secret informant meet inside a strip bar to share information, which strikes me as an overworked cliché—and in real life would be dangerous for the snitch. Not all cops or detectives do their business openly in strip bars, but Hollywood seems to love it, possibly because it gives them a chance to showcase naked women and make a point that the producti...